Aerotropic
5 Juillet 2020
In 2004, Miyake established The Miyake Issey Foundation.A multitude of dynamic photographs and essays by artists from different mediums explored Miyake?s interpretations of ?one piece of cloth.A quarter century after witnessing the May 1968 protests in Paris, Miyake had accomplished his goal by creating clothing as universal as ?jeans and T-shirts.The label offered clothing as a product that was easy to to wear, care for and to travel with; PLEATS PLEASE ISSEY MIYAKE was the perfect, elegant, yet practical and affordable solution for the needs of a modern woman, translating effortlessly from work to play to suit her diverse needs.Plantation pamphlet 1981 Photo: Eiichiro Sakata.From The Loss of Small Detail, 1991 Choreography: William Forsythe Photo: Dominik Mentoz.The exhibition gave the viewer an insight into Miyake? EN SAVOIR PLUS >>>
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Featuring information on Issey Miyake as well as on the various activities of MDS.Official site of clothing designer Issey Miyake and his design studio, MIYAKE DESIGN STUDIO (MDS)
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The Concepts and Work of Issey Miyake.
? There used to be 300 paper making workshops in Shiraishi, which was badly damaged by the 2011 earthquake.Depending on how you produce it, it could be useful for many things. ?It?s quite amazing to see Japanese technology,? he says.With his textile engineer at the time, Dai Fujiwara, Miyake worked out a way to create clothing that is knitted from a single strand of thread without the need for additional sewing or cutting.He enrolled at the Chambre Syndicale de la Couture Parisienne to learn how to make clothes and went on to work with Hubert de Givenchy.He was keen to chat despite the fact that there was a crowd gathering in the entrance to the museum to hear him officially open the exhibition.She says that Miyake kept everything from the beginning, anticipating, perhaps, their importance. Issey Miyake interview.
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His friends, Kreo owners Didier and Clemence Krzentowski, have lent him the space to showcase the new collection.As such it manages to become the perfect hybrid of ?art and commerce.The famous pleats are replaced by folds and the mass manufactured by the handmade.There is no correlation between the flat shape and its 3D incarnation.Even if it looks like what I have done has become fashionable, fashion to me is like the wind, I like to stay constant.And his Paris apartment is decked out in former RCA graduates' work.Instead the process entails a long period of research into materials, manufacturing techniques and a continuous dialogue between him and his team.After a stint at Guy Laroche and Givenchy, he went to work with Geoffrey Beene in New York before returning to Japan in 1970 to set up his own label.It sounds like a contradiction from someone who has been designing clothes for 40 years and who built Japan's most famous fashion brand in the process.Talk moves on to how to expand on the 132 5 collection.
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So what is he?. It sounds like a contradiction from someone who has been designing clothes for 40 years and who built Japan?s most famous fashion brand in the process.?I have never called myself a fashion designer,? says Issey Miyake
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At 77, Issey Miyake is still at the cutting edge of design. Tamsin Blanchard joins him in Tokyo.
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